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She constantly_________herself for not living up to her own ideals—for not working hard enough, or not having motives that were pure enough.

Robert Philip argues that the advent of recorded music has directed performance style into a search for greater precision and perfection, with a consequent loss of spontaneity and warmth. Various expressive devices once common in classical music have been almost outlawed, including portamento (sliding from one note to another on a stringed instrument), playing the piano with the hands not quite synchronized, and flexibility of tempo. Philip fully documents these changes. However, other forces independent of recording were also at work. For example, the freedom of tempo so valued by Philip was. in its time, both a necessary expedient and disastrously abused. Recording alone did not cause the reaction against it. although hearing a particularly unintelligent use of it on disc may have reinforced the prejudice.

Hie author would most likely agree with which of the following statements about the "devices"?

Sensationalism—the purveyance of emotionally charged content. focused mainly on violent crime, to a broad public—has often been decried, but the full history of the phenomenon has yet to be written. Scholars have tended to dismiss sensationalism as unworthy of serious study, based on two pervasive though somewhat incompatible assumptions: first, that sensationalism is essentially a commercial product, built on the exploitation of modern mass media, and second, that it appeals almost entirely to a simple, basic emotion and thus has tittle history apart from the changing technological means of spreading it. An exploration of sensationalism's early history, however, challenges both assumptions and suggests that they have tended to obscure the complexity and historicity of the genre.

According to the passage, scholars have not given sensationalism serious consideration because they believe sensationalism