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Recent studies of the gender gap in the history of United States politics tend to focus on candidate choice rather than on registration and turnout. This shift in focus away from gender inequality in political participation may be due to the finding in several studies of voting behavior in the United States that since 1980. differences in rates of registration and voting between men and women are not statistically significant after controlling for traditional predictors of participation. However. Fullerton and Stern argue that researchers have overlooked the substantial gender gap in registration and voting in the South. While the gender gap in participation virtually disappeared outside the South by the 1950s, substantial gender differences persisted in the South throughout the 1950s and 1960s, only beginning to decline in the 1970s.

The passage is primarily concerned with

In the late eighteenth and early nineteenth centuries, during the period of the American Revolution and the early republic, political poems appeared regularly in newspapers and pamphlets. commenting on the issues and controversies engaging the new nation. Given the sheer number of poems that engaged explicitly with politics, one might wonder why the form has remained largely ignored by scholars of early American literature even as many other once obscure forms—sentimental novels, diaries, travelogues, belles letters—have enjoyed unprecedented scholarly interest in recent decades. Part of the reason may stem from frustrations involved with reading poems that are so highly topical—often requiring, even as a condition of first-level comprehension, a familiarity with names and references that, while wholly recognizable in their own time, are obscure to modem readers. Yet beyond this is the fact that American political verse from the eighteenth and early nineteenth centuries has never fully shaken off the verdict, delivered by its earliest generation of scholarly readers. that it is simply unworthy of serious attention as literature. Even the term commonly used to describe it—"verse." as opposed to "poetry"— suggests an occasional or forgettable, rather than enduring, form of expression, not quite deserving the designation of poetry. Nor was such verse considered by early critics as worthy of the designation "American." as the tendency of eighteenth-century American poets to model their works on those of British precursors suggested an unforgivable failure, as one critic described it. to declare their "literary independence" from Britain.

Though_________in his musical expression, the American jazz bassist and composer Charles Mingus

eventually developed a personal voice that proved to be much more than a simple mixture of jazz styles.

Sensationalism—the purveyance of emotionally charged content. focused mainly on violent crime, to a broad public—has often been decried, but the full history of the phenomenon has yet to be written. Scholars have tended to dismiss sensationalism as unworthy of serious study, based on two pervasive though somewhat incompatible assumptions: first, that sensationalism is essentially a commercial product, built on the exploitation of modern mass media, and second, that it appeals almost entirely to a simple, basic emotion and thus has tittle history apart from the changing technological means of spreading it. An exploration of sensationalism's early history, however, challenges both assumptions and suggests that they have tended to obscure the complexity and historicity of the genre.

According to the passage, scholars have not given sensationalism serious consideration because they believe sensationalism