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GRE Exam
The term "ragtime opera" was used frequently m the first years of the twentieth century, but more often than not its use was (i)_________. The very idea of "ragtime opera" was viewed as lii)_________: opera was regarded as the highest form of musical art; ragtime was at the opposite pole.
The relevance of the literary personality—a writer's distinctive attitudes, concerns, and artistic choices—to the analysis of a literary work is being scrutinized by various schools of contemporary criticism. Deconstmctionists view the literary personality, like the writer's biographical personality, as irrelevant. The proper focus of literary analysis, they argue, is a work's intertextuality (interrelationship with other texts), subtexts (unspoken, concealed. or repressed discourses), and metatexts (self-referential aspects), not a perception of a writer's verbal and aesthetic "fingerprints." New historicists also devalue the literary personality, since, in their emphasis on a work's historical context, they credit a writer with only those insights and ideas that were generally available when the writer lived. However, to readers interested in literary detective work—say scholars of classical (Greek and Roman! literature who wish to reconstruct damaged texts or deduce a work's authorship— the literary personality sometimes provides vital clues.
It can be inferred from the passage that on the issue of how to analyze a literary work, the new historic its would most likely agree with the deconstructionists that