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The following appeared in a letter to the editor of a Batavia newspaper
"The department of agriculture in Batavia reports that the number of dairy farms throughout the country is now 25 percent greater than it was 10 years ago. Dunne this same time period, however, the price of milk at the local Excello Food Market has increased from SI.50 to over S3.00 per gallon. To prevent farmers from continuing to receive excessive profits on an apparently increased supply of milk, the Batavia government should begin to regulate retail milk prices Such regulation is necessary to ensure fair prices for consumers."
Write a response in which you discuss what questions would need to be answered in order to decide whether the recommendation is likely to have the predicted result Be sure to explain how the answers to these questions would help to evaluate the recommendation
Even the most complex models used in fishery management are cartoons of reality. They reduce hundreds of links in food webs to a handful and inadequately represent processes operating over space. Many of their assumptions are as flawed today as those of the simplest models of the past. Fish stocks, for one. are still assumed to be populations of a species that are isolated from one another. Yet many populations mix at their edges and some even migrate through areas occupied by other populations. Furthermore, the more complex models suffer from a "crisis of complexity"—more is really less. Adding layers of detail, each carrying its own set of assumptions, produces instability. The model's behavior becomes erratic, and conclusions drawn from it can be downright misleading.
In the context of the passage, the highlighted portion serves to
A divide between aesthetic and technical considerations has played a crucial role in mapmaking and cartographic scholarship. Some nineteenth-century cartographers, for instance, understood themselves as technicians who did not care about visual effects, while others saw themselves as landscape painters. That dichotomy structured the discipline of the history of cartography. Until the 1980s, in what Blakemore and Harley called "the 'Old is Beautiful' paradigm.* scholars largely focused on maps made before 1800. marveling at their beauty and sometimes regretting the decline of the pre-technical age. Early mapmaking was considered art while modem cartography was located within the realm of engineering utility. Alpers. however, has argued that this boundary would have puzzled mapmakers in the seventeenth century, because they considered themselves to be visual engineers.
According to the passage. Alpers would say that the assumptions underlying the "paradigm" were